cities -- urbanity -- design
Curatorial and archival practice
To curate means to care for something. That something can be a love letter placed in a file, a building in need of restoration, a rusty old tool, or a painting. Once enveloped in a caring embrace, these objects and processes flow into and out of the archive in one form or another. But the archive itself is not some straightforward repository of memorial artifacts; it is always partial, selective, and dependent upon what others no longer want. Archival researchers, much like Archaeologists, dig through other people's junk. Sometimes this detritus comes to the archive as comprehensive, intact, and well-manicured collections. Other times, it accumulates from a swirl of happenstance over long periods. In any case, curatorial and archival practices involve methods of interpretation, evaluation, discernment, comparison, and judgment. Everyone exercises these methods to one extent or another when collecting and caring for things.
Postcards from the City. Preparation of an archive, database, and teaching materials for a collection of 1000 historic postcards from 1890-1940 depicting cities around the world.
Visual project. UNESCO Documentation Project. Ongoing contribution to the development of a photographic archive of World Heritage Sites.
"Vertical City: The Life and Design of Pruitt-Igoe." Curator.
"Reading the Accidental Archive: Architecture, Ephemera, and Landscape as Evidence of Urban Public Culture." Winterthur Portfolio 41, 2 (December 2007).
"The School and the City: 75 Years of Social Work at Saint Louis University." Installation, oral history project, and archival initiative. May 2004-October 2005. Principal investigator
"Brick by Brick." An exhibit on the history of the St. Louis brick industry, drawn from the Giles collection. Cupples House Museum and Institute , April 2004 - September 2004. Guest curator.